It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. “I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.”!

“I’m so glad you’ve come,” she said. “I was just wanting you.” Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her.

She heard a quick step behind her, and turning, she saw a man with a latch key in his hand. He passed her and opened the door; and then, facing round, stood aside for her to enter. He was a sturdy, thick-set man with a strong, massive face. It would have been ugly but for the deep, flashing eyes. There was tenderness and humour in them. And the insincere, the self-seekers, the self-advertisers! Those who were in the business for even coarser profit! The lime-light lovers who would always say and do the clever, the unexpected thing rather than the useful and the helpful thing: to whom paradox was more than principle. They grew less and less afraid of looking at one another as they felt that darkened room further and further behind them.